double vinyl also including free digital download. this record should put clouds in the ranks of the elite uk techno vanguard. one of the best techno full-lengths of the year - resident advisor. 9/10 album of the month - mixmag

vinyl only, 180 gramm pressing, red vinyl and strong limited. this release is for every deeply packed record bag. primary >colours< is proud to follow up their blue release with another fantastic, limited, vinyl only treat. echo inspectors, ‘ghost flight’, is chosen for the red release in this 3 colour series. with a philosophical notion, ghost flight is an eclectic journey into deep, dubby techno. this scratchy, stepping, techno groove is surrounded by rootsy elements accompanied by superb bass. the delayed, washy elements and soul grabbing overtone are all superlative in aggregation – >a spirit of an age to which no one can return.<
salz dub has certainly salted up the flavor on this release. with their unique signature of swinging dub tech they deliver a faithful yet revived edit of >ghost flight<. this track sucks you in for the whole journey! the infectious groove, vocal edit and drop are nothing short of fantastic.

nine titles in all and ninety-nine emotions on the clock. come to my empire is the first single taken from hypnoloves new album ghost carnival, produced by ed bangers mickey moonlight, out on may 13th worldwide. ready for the parade!

it is a double vinyl set of empty locked grooves that contains nothing but its very own surface noise - and physical structure. it is a sculptural revision of stefan goldmanns earlier locked groove-based double vinyl the grand hemiola, but it also serves as a genuine hauntological vinyl surface noise tool kit, out on its own. pulling a knife or other tool to its grooves allows for cutting your literally uniquely own beats directly into the record.

clone royal oak with a killer release by headless ghost! a production alias of ripperton delivering three shit hot tracks. asking what the difference is between ripperton and his headless ghost production he said while the headless ghost is doing stuff intuitive, i see what you did there. not sure if we completely understand, but the intuitive thing makes sense while listening to the tracks. killer 3 track ep with a some sharp edged house music. tip!!

amazing floor anthem by steve nash on george morel own imprint >groove on<. inclusive a massive morel remix.

dj spoko was born marvin ramalepe, raised in the rural town of tzaneen in northern south africa, where he says there was no first or third class—all the same. he started producing on a pc at age 12, after moving with his brother kelly rams ramalepe to atteridgeville, a 99%-black township outside the mostly white city of pretoria – to find their father. they lived in an area called ghost town, near atteridgeville s cemetery, where as the neighborhood s premiere producer, young spoko earned the nickname ghost. the title of his new ghost town ep

the bible is one of those bands that writers and singers often cite as one of their favourite bands of all time. now, vinyl180 is proud to bring you their debut album remastered on 180g vinyl in a newly designed gatefold sleeve.remastered 25th anniversary edition on heavyweight 180 gram vinyl, housed in gatefold sleeve.

part two is coming ++ bastard electro ++ 200 copies only ++ cotton sleeve ++

the bible machen typisch britische popmusik, die es spielend mit angesagten acts wie coldplay oder travis aufnehmen kann. ende der achtziger waren the bible so was wie the next big thing und verschwanden dann merkwürdigerweise völlig in der versenkung.
neu gemastert und auf 180 gramm doppel-vinyl gepresst, inklusive 5 bonus-tracks.

atjazz & fred everything are back together again. their last collaboration dates 2010 on lazy days but the pair have been friends since the late 90s and have collaborated and remixed each other countless times. the beast and the ghost explores the deeper, dubber side of their production. the project was started in derby and finished in san francisco, while atjazz worked on his inside dub from home. this will be featured on the upcoming lazy dubs compilation, out in january.

remastered reissue on heavyweight 180 gram vinyl plus cd with bonus tracks and remix by mira calix.

zyntax is back ++ 200 copies only ++ cotton sleeve ++ uncompromising electro-shit ++ welcome to the new world order

holy ghost! steps out of the studio with a new track, it gets dark. recorded during the sessions for their next lp (coming in 2013), this dark dancer comes as a limited edition of 600 on single-sided vinyl, featuring the original and an instrumental. comes with a free digital download card.

like legendary stories of old, changing and mutating as the years go by. and also subtly transforming depending on whos telling the tale. re-mixers guillaume and the coutu dumonts, john tejada and danuel tate step up to re-tell blue fields infamous ghost story.

born in america, raised in scotland, singing saxophonist amy lyon has been writing and singing music for around 6 years and began playing saxophone at the age of 10. with a love for jazz, funk and soul her influences include ella fitzgerald, otis redding, amy winehouse and erykah badu. with marlon hoffstadt she found an congenial partner to take her songs to the dancefloor. despite his innocent age of 18 years marlon’s productions keep up with those of the well known when it comes to quality. stylistically his sounds are somewhere between pop and house. marlon has that certain “something” that creates its own character and a very distinctive sound. their debut ep “you and a love stoned ghost,” contains four enchanting tracks created by the synergy of marlon’s fresh productions and amy’s energetic voice.

numero2, a change of pace from his scintillating tech and house releases into the world of the kind of murky deep funk being perfected by anhura offshoot anhura vinyl. on the labels second release, the grooves come exploding out of the black wax on >ghost inside<

epiphany is damian schwartzs new moniker, created to give home to his most twisted and raw stuff. the first release in this new ahd imprint is all about raw, dirty and spiritual sounds. created and mixed on the analog domain and recorded to 1/4 inch tape, a ghost of myself could be considered as a mix of schwartzs biggest influences, from 90s ny house to detroit techno and chicago sounds, all processed through damians own style, resulting on a dope release based around strong rhythms, mystic sounds and rough yet fine progressions

following a heavily supported launch in july, disco bloodbath recordings delivers its second single this august in hand plants >gone ghost<, backed with a remix from jamie blanco. comprising one half disco bloodbath (ben pistor) and one half maxxi soundsystem (sam watts), hand plant is about old and new synths, samples, berlin, aircraft, what happens in the early hours, ecstasy pads that make you rush ...

i light another cigarette in the tittery the sparrow has landed. we have returned from our excursion to the modern and would like to share what we brought with you: some showtunes and a twelve tone row. the show, as it turns out to be, is our very own. we started out writing new material to perform on stage, after we had found out it was great fun to refrain our instrumentation to vocals, piano and bad acting. originally very attracted to the- as our label told us- very clandestine idea of releasing three 12inches with very limited playability for djs, we agreed not to ruin our dial friends and work on an album instead.

(ltd 500cps complete with deluxe packaging and 180g vinyl) two long years after their debut cult classic (illuminations / dont eat the apricots), latin drumming and modular synthesis.hungry ghost return.

mit >the ghost in daylight<, einem bewegenden und intensiven werk aus traurigen gitarrenklängen und schauererregenden vocals, beendet gravenhurst fast fünf jahre stille. das neue album ist ein düsterer, atmosphärischer ort, beschwörend besungen mit unterschiedlichsten mitteln. gravenhursts musikverständnis wurzelt im melodiösen noise von my bloody valentine, den beeindruckenden vokalhamonien von simon & garfunkel, den alchemistischen gitarren von richard thompson und johnny marr, und den weitsichtigen ambientvisionen von brian eno, perfekt ausgedrückt in zehn wundervollen songs, darunter der ersten auskopplung >the prize<.<br >inklusive code für mp3-download des albums.

the final single from the self-titled holy ghost! lp before alex & nick return to the studio, commencing work on lp2. the b-side features an amazingly retro extended 12 inch remix by dimitri from paris. limited to 300 stamped white label copies.

back in print on vinyl and for the first time on drag city cds, damon & naomi with ghost is a sweet meeting of mind and soul featuring ghosts masaki batoh and michio kurihara in full collaboration with the titular hero and heroine. everybody brings their heaviest and lightest sounds and the album — a pre freak-folk freaky folk excursion — now meets us on the other side, all charms intact.
including bonus 7 inch, featuring the tracks >femme fatale< and >my flower<.

the lady is back with new great ep & fred p remix !

knowing looks kicked off 2011 for wncl recordings with with his much loved, hard stepping abandoned skip, backed with the acclaimed symphonic masterpiece that was last kiss at the plains hotel. jason hopfner is back again to neatly tie up a busy year at wncl hq, unveilling the classically constructed epic listen to my 45 - described by ben ufo as >lovely. gorgeous. slick. buff etc< … and who are we to disagree. just do what it says on the tin, then flip over for ghost baby - yet another fine example from hopfners rich and varied production cannon, melding super cool minimalism with party breaks. merry christmas from the cassette library!

after his critically acclaimed album on ghost sounds, a.p. now delivers this beautiful limited edition heavyweight picture disc release, containing his...

lcd soundsystem bring >drunk girls< to a rock party, holy ghost! take them to the electro floor.

in its original form, holy ghost!s debut album cut >hold my breath< is, pure and simple, great dancefloor electronic pop, in the hands of shadowy duo tiger & woods, the song has been totally reshaped and refracted through 80s r&b radio. they have slowed the pace and inserted synth-funk hot flashes that recall prince – and, no kidding, the time, and jimmy jam & terry lewis – to create a mood that fits comfortably (and pleasurably) within their future boogie m.o. cosmic kids ron poznansky and dan terndrup have taken the track in a more tensely dramatic direction. it might be the vaguely darkened synthline upon which much of that track sits that lends itself to its more intense feel here, and gives it such a pleasant nocturnal feel. finally, theres falty dls re-envisioning, which goes down awfully smooth for a track so full of the big, thick, bumping bass beats. it’s an aural pleasure to find yourself dreamily lost in the brooklyn, new york producer/djs halls of reverberating sound.

midnight magics >drop me a line< backed up with remixes by steffi, mano le tough and holy ghost. permanent vacation delivers once again a package of pure house-music-magic.

its only natural that martyn has risen above the cliches and pitfalls of the vacuous dj world. over his 15 years djing, 6 years producing, and 4 years a&ring his 3024 imprint, the holland-born / washington dc-based artist has forged his own path every step of the way. his multi-leveled career has kept balance with a focus on art, and his every sacrifice is preserved in an endless dedication to music. as a continual record buyer and beat seeker, martyn is a beacon of hope through leagues of passion-less djs and producers, the ghost people: plastic, hollow shells that focus only on the in-the-now grooves or keeping in line with trends.
double 12 inch white vinyl in gatefold cover, including code for free digital download of the full album.

the final album by guitar legend glen campbell, including contributions from jakob dylan, paul westerberg, brian setzer, chris isaak, billy corgan and many more. comes with code for full digital download.

vinyl doublepack containing the best material from two albums that were recorded back in 2004, all revised and remastered in 2010. very experimental, based in (dark) ambience with rhythmic patterns oriented among idm, electro and triphop. one album was inspired by asian horror movies, and the other was highly inspired by david lynch films >lost highway< and >mulholland drive<. spooky great release... and again bonus cds included!

wonderland ghost is, not only due to its title, a gift for all friends of electronic dance music. the three tracks: >for you<, >the ghost<, and >what im standing for feat. toxic pearl< all exude the pleasure of working with the original beats and rhythms that rattle through baders music. these are elegantly arranged sound montages that relentlessly push into the ears of an enraptured dance floor, taking surprising twists and turns on their way to a land of pure musical fun

there are certain songs that are so very good, the only singular word that accurately describes them is satisfying. >wait & see< is one of those: an aural pleasure that scratches an itch and hits the spot so precisely, it almost feels like self-denial not to listen on repeat. on holy ghost!s latest ep, the absurdly catchy single from their self-titled 2011 debut gets a makeover from three of dance musics titans: cfcf, kris menace and richard x. and while this batch of remixes finds the artists behind each track steering in new directions, each finds a way to capitalize on the irresistible danceability of the original.

another red hot and innovative release from our favourite ny label! ghost note follow up their stunning debut with another double header of uncategorizable, but mindblowing cosmic dance music.

dubby, dusty ambient on this ultra limited one-sided blue marbled vinyl record.

deep house bliss from centric mixes from moodymanc.

dubby, dusty ambient on this ultra limited one-sided blue marbled vinyl record.
comes with a cd containing the following tracks:
- city nightlights
- city nightlights ii
- interdimensional
- landmark ii
- city nightlights iii
- city nightlights (beats reduced)

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

anfang des jahres hat kasper bjørke ein großartiges electro-pop-album auf hfn veröffentlicht. als kasper bjørke & his friendly ghost präsentiert der mann aus kopenhagen indes einen sound, der seine wurzeln in techno, minimal und house hat. mit dem >go away song< feiert er einen starken einstand auf der black label-serie von compost. remixe kommen von wareika (eskimo, perlon) und holtoug.

the first release will be with the new kid in town: ghost mutt. this young producer from brighton (uk) is linked as resident artist to the people of donky pitch with other residents like boss kite and slugabed. his sound can be, if we try to genre-ize it, defined as a mash-up of hiphop beats mixed with dubstep, covered with glitches, funky tweaks, purple flares and dirty basses. he has been sharing line-ups with tokimonsta, slugabed, blue daisy, boss kite, coco bryce and bass clef.

solid clubbing 4 tracker on jetaime records produced by varoslav incl remixes by carlo lio and resmann